Stoneware, glaze, pigments, parian porcelain, 77x19cm each 

Space is protean, time is implacable. The mind is restless. Constantly shifting, shuffling moods and dispositions. This work consists of three modules that give a viewer some degree of control over its overall appearance. Time splits and the universe is going in different directions. I was thinking of an old scroll and a wilting chrysanthemum in a shadow of a tokonoma in a traditional Japanese dwelling designed to capture the mood of a season, day, or hour. But unable to decide on the mood I wanted to have many of them at the same time. Like in-wall rotatable panels in a Victorian reception room. But more solid, more permanent. Walter de Maria's “Time/Timeless/No Time” gave me the ultimate inspiration. A primal shape placed in a large empty room. A ball on top of the stairs. I see it moving and with a deafening clocking noise rolling down. I turn my prisms, they capture light differently, the shadows stir, and the space morphs around. The ineluctable modality.